Art of War Artwork Textures – Arma 3
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{{Feature| | {{Feature|informative|It is possible to change the artwork in all the frames and on all the canvases that arrived with the [[Arma_3_Art_of_War|Arma 3 Art of War DLC]]. This can be achieved directly in the Eden Editor by accessing the asset's attributes and adjusting the relative path to the texture. It can also be done via the [[setObjectTexture]] script command or [[BIS_fnc_setObjectTexture]] function. For more information on replacing textures in-game, see the article on [[Retexturing with setObjectTexture]]. For texture reference layouts, see the second table at the bottom of this page.}} | ||
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| [[File:Arma 3 AOW artwork preview man with child.jpg|450px]] | | [[File:Arma 3 AOW artwork preview man with child.jpg|450px]] | ||
| ''Man with Child'' | | ''Man with Child'' | ||
| Pedro | | Pedro "Whiplash" Rodrigues | ||
| Picture: | | Picture: | ||
| Line 1,458: | Line 1,458: | ||
| [[File:Arma 3 AOW artwork preview river walk.jpg|450px]] | | [[File:Arma 3 AOW artwork preview river walk.jpg|450px]] | ||
| ''River Walk'' | | ''River Walk'' | ||
| Pedro | | Pedro "Whiplash" Rodrigues | ||
| Picture: | | Picture: | ||
| Line 2,203: | Line 2,203: | ||
| [[File:Arma 3 AOW artwork preview cockpit view.jpg|450px]] | | [[File:Arma 3 AOW artwork preview cockpit view.jpg|450px]] | ||
| ''Cockpit View'' | | ''Cockpit View'' | ||
| Pedro | | Pedro "Whiplash" Rodrigues | ||
| Picture: | | Picture: | ||
| Line 2,601: | Line 2,601: | ||
| [[File:Arma 3 AOW artwork preview lockdown.jpg|450px]] | | [[File:Arma 3 AOW artwork preview lockdown.jpg|450px]] | ||
| ''Lockdown'' | | ''Lockdown'' | ||
| Pedro | | Pedro "Whiplash" Rodrigues | ||
| Picture: | | Picture: | ||
Latest revision as of 00:24, 2 February 2024
Custom Artwork
| Image | Artwork Title | Artwork Author | Texture Path(s) | Compatible Assets | Texture Size | Contest Winner | Gallery Location | Accompanying Text |
|---|---|---|---|---|---|---|---|---|
|
Jet Fighter | Descryver 'Papa Bear' Stéphane | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_63_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_63_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, South Wall | 2020
Pencil on paper |
|
First Aid Basics | Sparrowhawk | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_79_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_79_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, South Wall | 2016
Photograph (IDAP 2016 Expo, Nevada, United States) |
|
Desert Rats | Kiki Mazar | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_92_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_92_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2019
Oil on canvas |
|
Disarmament | Colin Marshal Harrison | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_38_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_38_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2035
Photograph (Pyrgos, The Republic of Altis and Stratis) |
|
LALO | Greenfist | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_112_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_112_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2035
Photograph (Southern Livonia) |
|
Identify the Target | Jorge López Rodríguez | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_56_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_56_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2035
Acrylic and crayon on canvas |
|
Between the Lines | Jon Brown | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_41_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_41_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2035
Photograph (Zaros, The Republic of Altis and Stratis) |
|
Dust-Off | Jon Brown | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_88_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_88_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2022
Photograph (Eastern Ardistan) |
|
An Incident on Stratis | Shaleshock | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_104_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_104_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2034
Photograph (Agia Marina, The Republic of Altis and Stratis) |
|
Underwater Demolition | Descryver 'Papa Bear' Stéphane | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_65_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_65_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2032
Photograph (U.S. Navy Training Center, California, United States) |
|
Non-Combatants | Raphel Sanchez | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_42_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_42_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, West Wall | 2029
Photograph (Bitez, Turkey) |
|
Collateral Damage | João Victor Gonçalves Mariottini | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_08_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_08_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
3rd Place - 2D Art Category | Entry Hall, North Wall | In this playful yet provocative scene, a paramedic carries a wounded individual on a stretcher while a pair of Livonian soldiers look on. The laptop reads 'EMP', an acronym for ElectroMagnetic Pulse. EMP weapons destroy electronics and are sometimes used indiscriminately in cyberwarfare, breaking International Humanitarian Law by targeting civilian as well as military infrastructure.
2020 Watercolor on canvas |
|
Technomachy | Stelios Afentakis | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Canvas\showcase_aow_picture_09_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_09_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
2nd Place - 2D Art Category | Entry Hall, North Wall | Although it might appear like science fiction, this busy combat scene presages an authentic glimpse of tomorrow’s battlefields. Urban environments, swarming with ground and aerial combat drones, autonomous medical units, and soldiers, clad in dehumanizing armor, strike us now as a grounded interpretation of what is to come. The legal and humanitarian challenges these new forms of warfare present are a pressing global concern.
2028 Acrylic on canvas |
|
Hearts and Minds | Ultimate Dunkel | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_68_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_68_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2012
Photograph (Karichar, Takistan) |
|
Blue Party Prison Riot | Bamslam | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_22_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_22_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
Screenshot Category Winner | Entry Hall, East Wall | Not all wars are fought upon the battlefield. This photograph depicts the famous 1989 'Blue Party Prison Riot' at Andrzejów Detention Center in Livonia, an episode which made international headlines and quickly captured the imagination of the world. Inmates, along with several guards, in solidarity with national actions against the Soviet regime and angry with deteriorating living conditions, staged several weeks of protests before finally taking full control of the facility.
1989 Photograph (Andrzejów, Livonia) |
|
F-16s Over K-Town | Yooles | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Square\showcase_aow_picture_29_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_29_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | Combat aircraft led to a revolution in the way that wars were waged, defining many conflicts over the last 100 years. But what will be the next seismic shift in warfare? What will be the 21st Century’s ‘Guernica’? A sky, dark with unmanned bombers? Clouds of miniature drones, subjugating nations at the touch of a button? Or will aerial engagements become a thing of the past, slowly superseded by battles in space?
2003 Photograph (Kaiserslautern, Germany) |
|
As Above, So Below | Kiko Mazar | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_91_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_91_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2019
Oil on canvas |
|
Concept for Automated Strike Helicopter | Maxi Cortés | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_44_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_44_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2027
Digital Print |
|
Air Cav | Descryver 'Papa Bear' Stéphane | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_66_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_66_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2025
Digital Print |
|
The Apparition | Yooles | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_72_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_72_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2030
Acrylic on canvas |
|
Aid Station | Vyacheslav Spiridonov | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_55_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_55_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2034
Pencil on paper |
|
Safe Inspection | Julian Łada | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_36_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_36_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | Entry Hall, East Wall | 2030
Photograph (Mytilene, Greece) |
|
Workshop | Farsight | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_30_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_30_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2023
Photograph (IDAP Expo, California, United States) |
|
CBRN | Farsight | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_31_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_31_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2023
Photograph (IDAP Expo, California, United States) |
|
Man with Child | Pedro "Whiplash" Rodrigues | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_07_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_07_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | This touching photograph is a powerful reminder of how armed conflict can impact children. Aside from the nightmarish imagery, embodied here by faceless soldiers in hazmat suits, war causes intense psychological trauma through the severance of emotional and physical ties. The experiences of young victims, forced to abandon homes and loved ones, often transcend generations and inflict indiscernible wounds, many of which remain for life.
2035 Photograph (La Roche, Horizon Islands) |
|
Sand and Steel | Greenfist | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_80_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_80_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2019
Oil on canvas |
|
UN Troop Carrier | Rostislav Skotnica | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Square\showcase_aow_picture_48_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_48_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2019
Digital Print |
|
Paramedics | Farsight | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_32_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_32_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2023
Photograph (IDAP Expo, California, United States) |
|
Autonomous Vehicles | Farsight | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_33_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_33_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2023
Photograph (IDAP Expo, California, United States) |
|
Contraband | Adam Dollard | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_40_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_40_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2035
Photograph (Georgetown, Horizon Islands) |
|
The Gift-Givers | Maria Isabel Rauber Neves Martinewski | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_47_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_47_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2023
Oil on canvas |
|
Looters | Yooles | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_117_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_117_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, South Wall | 2032
Digital Print |
|
LZ Hot! | Nikolai'z | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_101_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_101_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2012
Photograph (Nasdara, Takistan) |
|
Burgers on the MSR | Greenfist | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_110_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_110_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2017
Photograph (Near Mazargan, Karzeghistan) |
|
Faithful | Section 8 | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_115_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_115_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 1945
Photograph (Iwo Jima, Japan) [color reproduction] |
|
Ecce Homo | Yooles | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_16_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_16_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
De Kornelis Zaal, East Wall | Behold the man. But a generation ago, how many would recognize this special forces operative as a man at all? There is no evidence of anything beneath the armor. Is this then, a sign of things to come? At what point, in a world of human enhancements and inchoate cybernetics, do we begin to lose ourselves? And what are the implications of dehumanizing combatants on the battlefield? How will this affect our perceptions of war? Is this another step in the sanitization of modern warfare? Or a simple practicality, providing soldiers with the equipment and protection needed?
2031 Oil on canvas | |
|
At the Crossroads of Two Worlds | Victor Fievet | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_59_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_59_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2023
Photograph (Galbo, South Lombakka) |
|
Time to Move! | Kevin Potter | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_39_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_39_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2029
Photograph (Bodrum, Turkey) |
|
They Shall Not Grow Old | Armography | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_118_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_118_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2020
Digital Print |
|
Crossfire | Greenfist | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_113_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_113_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2021
Photograph (Okem, Argana) |
|
'Don't Let Go...' | Mixuray | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_106_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_106_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, East Wall | 2029
Photograph (Bodrum, Turkey) |
|
Carpool | Komyeta | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_98_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_98_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2013
Photograph (Kavala, The Republic of Altis and Stratis) |
|
Eyes On | Gikas Voskopoulos | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_102_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_102_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2032
Oil on canvas |
|
Casualties | Descryver 'Papa Bear' Stéphane | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_62_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_62_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2035
Pencil and watercolor on paper |
|
Younger Brother | Juan José Abenza García | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_57_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_57_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2026
Digital Print |
|
Firefighters | Sparky's Screenies | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_76_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_76_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2019
Photograph (Równia, Livonia) |
|
Jet with Tail Art | Loeb Florian | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_58_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_58_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2030
Photograph (Nevada, United States) |
|
Asymmetric Warfare | Kiko Mazar | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_93_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_93_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2029
Oil on canvas |
|
Oscar Mike | Gespt Tauro | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_69_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_69_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2027
Photograph (Near Batu-Nim, Argana) |
|
The Beachhead | Just Dovid | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_75_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_75_ca.paa |
|
2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 1944
Photograph (Normandy, France) [color reproduction] |
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The Patrol | William Thomas Nuckolls | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | A soldier relies upon their senses to make correct decisions on the battlefield. But as this curious painting shows, accurate observation is not always easy. Here, we can vaguely make out the silhouettes of soldiers moving through a field, partially obscured by their environment and its twilight shadows. Although it's clear there are combatants present, are all of them legitimate targets?
2032 Acrylic on canvas |
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CASEVAC | Bernardo José Prazeres Ferreira | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, North Wall | 2034
Photograph (Camp Briareus, The Republic of Altis and Stratis) |
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'Let 'em Pass' | Kiki Muhammad Rizqi | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2035
Photograph (La Trinité, Malden) |
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River Walk | Pedro "Whiplash" Rodrigues | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2025
Digital Print |
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Death by Algorithm | Greenfist | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2035
Photograph (Brena, Livonia) |
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Tank Killer | Descryver 'Papa Bear' Stéphane | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2024
Photograph |
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Kinetic | Shasta | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2020
Photograph (Azure Island) |
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Changing Tracks | Jon Brown | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2035
Photograph (Southern Livonia) |
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One of Many | Diego Ferreirós González | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | Like the rows of military graves in cemeteries across the world, this sober image highlights the human cost of conflict in no uncertain terms. In the context of modern warfare, it also poses some difficult questions. Not only in relation to reasons for war but with regards to the methods of waging it. Are autonomous weapons, for instance, an opportunity to save soldiers' lives? Do we really want to remove these tragic consequences, allowing nations to project force with impunity? And how can we argue against robots on the battlefield with the loved ones of combatants who have made an ultimate, yet ultimately avoidable sacrifice? Perhaps, scenes like this one, are a necessary reality of war?
2035 Photograph (Altis International Airport, The Republic of Altis and Stratis) |
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Contractors | Shasta | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, West Wall | 2021
Digital Print |
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'Gray Goo' | Otto Petäjä | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
De Kornelis Zaal, West Wall | In this famous work of abstract art, we are offered a chillingly prophetic vision of future conflict. Simply entitled 'Gray Goo', it alludes to the gray, slime-like appearance of molecular nanotechnology. Once a hypothetical concept, it became the controversial subject of military study in 2033. Today, propelled by recent breakthroughs in quantum technology, the idea of a globous and self-replicating mass of tiny robots, capable of stripping away the strongest steel, is edging from science fiction to science fact. Faced with such realities, many argue that International Humanitarian Law has a moral and legal responsibility to regulate new technologies.
2033 Acrylic on canvas | |
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Autonomous Avarice | Nicolas Humphrey | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
1st Place Winner - 2D Art Category | De Kornelis Zaal, Inner Wall | A harrowing representation of a civilian casualty, killed by a sniper drone. The victim's position in the foreground and the saturated palette used by the artist lends the scene a somber immediacy, reminding the viewer that a 'human in the loop' is not without risk and that questions regarding battlefield responsibility are unlikely to disappear any time in the near future, regardless of technological developments.
2020 Acrylic on canvas |
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Lars Blanken | Unknown | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, Inner Wall | Portrait of the Dutch philanthropist and founder of the International Development & Aid Project, Lars Blanken. The wealthy son of a shipbuilding tycoon and war profiteer, Blanken turned his back on the pursuit of profit and became an instrumental figure in the Refugee Council, based in Leiden, supporting the Belgian diaspora through the First World War. This gallery is named in his honor. Visitors may notice the inscription on the fresco around the glass rotunda. It is a reference to Blanken's famous quote: 'Gentlemen, man's humanity has been weighed and found wanting - but <t font='RobotoCondensedBold'>together we can tip the scales.
1922 Oil on canvas |
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Tactical Withdrawal | Austin McGinty | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
1st Place Winner - 2D Art Category | De Kornelis Zaal, Inner Wall | The cluster of menacing robotic soldiers in this work, standing against the bright orange glow of a featureless city aflame, are in fact, allowing enemy combatants to pull a wounded comrade to safety. Are these faceless entities observing the spirit of International Humanitarian Law? Do they suggest a coming era of restraint in modern warfare, free of human folly and passions? Or is this simply indifference? A short, calculating pause before an algorithm loads and the systematic killing continues? Like the future itself, this piece presents us with a vision that is difficult to decipher.
2020 Acrylic on canvas |
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Concept for Stealth Uniform | Maxi Cortés | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, Inner Wall | 2025
Digital Print |
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Carrier Deck | David Mustache | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Kornelis Zaal, Inner Wall | 2029
Photograph (USS Freedom, Mediterranean Sea) |
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Cold Earth | Komyeta | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2009
Photograph (Near Svetlograd, Chernarus) |
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Forest Encounter | Lyotchik | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2029
Oil on canvas |
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Tank Platoon | Komyeta | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2012
Photograph (Near Chalang, Takistan) |
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Moving Up | Descryver 'Papa Bear' Stéphane | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
Screenshot Category Winner | De Valič Kamer, South Wall | In this picture, medics treat wounded combatants while soldiers from the US 5th Army file by, temporarily united, both in service and in the sacrifices demanded of them. It's a poignant scene, where the serenity and stillness of the Italian landscape is cleverly juxtaposed against the movement of infantry and tanks - a beautiful intermezzo in what could be called a symphony of war.
2020 Oil on canvas |
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Mini UGV | Greenfist | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2035
Photograph (Topolin, Livonia) |
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Tango Down | Austin Spears | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | This screenshot from a military simulation game raises some important questions regarding the fetishization of violence in popular culture. Are we becoming desensitized to representations of conflict? Or are video games and other interactive media a lens for exploring real-world concerns and unpleasant realities, challenging preconceptions and perspectives? Do the developers of these products have moral obligations in how they portray modern conflict? Or are they simply expected to create? And can video games be considered art at all? This last point, remains divisive.
2020 Screenshot (Tango Down, Zbox) |
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Intervention | Artur Kulczycki | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2035
Photograph (Kavala, The Republic of Altis and Stratis) |
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'Take My Hand' | The Buckfast Wine | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2029
Photograph (Isfahan, Iran) |
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Landslide | Noah the Guy | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, South Wall | 2026
Photograph (Near Metsovo, Greece) |
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Air Superiority | Yooels | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2022
Digital print |
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Think Again | Laurentius Kus Savata Reyhan | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | This poster with its didactic question masks a sophisticated artistic conceit. By overlapping and combining the profiles of several autonomous weapon systems, we are encouraged to separate their forms and exercise our sensory perception; just as a machine is expected to distinguish potential threats from non-combatants or cultural property. If we, as humans, struggle to depict these components, is it too much to expect from robots?
2029 Digital print |
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IDAP Convoy | Descryver 'Papa Bear' Stéphane | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2023
Pencil and watercolor on paper |
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End Times | Kiko Mazar | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2032
Oil on canvas |
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Stay Hydrated | Komyeta | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 1995
Photograph (Near Neochori, The Republic of Altis and Stratis) |
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Cockpit View | Pedro "Whiplash" Rodrigues | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2021
Digital Print |
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Desperation | Kalle Oskar Ranta | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2035
Photograph (Kavala, The Republic of Altis and Stratis) |
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IDAP Camp | Ceb Cin | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2035
Photograph (Near La Roche, Horizon Islands) |
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Robogeddon | Greenfist | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | Although seemingly absurd, this vision of the future is fast becoming a very plausible and very concerning reality. After the Quantum Revolution of the late 2020's, we are now faced with highly intelligent thinking machines, wired for war, interconnected, and supposedly subservient to the highest echelons of power. But what happens when the first robots become self-aware - when ascendance becomes transcendence? This possibility is causing great consternation amongst leading scientists and academics today, who fear tomorrow's war won't be one fought between humans.
2035 Digital Print |
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Non-State Actors | Braden Joseph Banks | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | 2024
Photograph (Rosario, Argentina) |
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A Child's Dream | Aubrianna Rachmad | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, West Wall | It's long been said that war brings out the worst and the best in us. As this heart-warming painting suggests, conflict can offer powerful opportunities for compassion. Indeed, it is in the wake of earth-shattering adversity that positive actions matter most.
2034 Acrylic on canvas |
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The Extraction | Greenfist | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | As military technologies become increasingly sophisticated and climate change fuels competition for resources, it is not altogether surprising that more of the world has become prone to conflict. The melting arctic circle, in particular, has become a contested arena of major strategic importance.
2028 Photograph (Northern Svalbard, Norway) |
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First Responder | Scarecrow | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | 2035
Photograph (Pyrgos, The Republic of Altis and Stratis) |
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Sentries | Joseph Braden Banks | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
Screenshot Category Winner | De Valič Kamer, East Wall | This beautifully composed image, showing a group of sentries standing guard, highlights a reality of war that is seldom the subject of great works of art; waiting. Indeed, today, many soldiers never see action. This restrained work eschews romanticized notions of the battlefield and instead, presents a more grounded and nuanced snapshot of modern conflict, as experienced by the majority of military personnel.
2012 Photograph (Camp Casco, Southern Takistan) |
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Safe Room | Klat | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | 2023
Digital Print |
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The Road Ahead | EO | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
Screenshot Category Winner | De Valič Kamer, East Wall | This multivalent work, with its overcast skies and gloomy atmosphere, carries an almost dream-like quality. The solitary drone, approaching an urban environment obscured by fog, hints at a journey into the unknown and evokes the idea of technology on a road towards an uncertain future. And who is in control? A human operator? Or is this vehicle fully autonomous, and rolling forwards on its own initiative?
2032 Oil on canvas |
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Joint Disaster Relief | Greenfist | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | 2035
Photograph (La Roche, Horizon Islands) |
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Battlefield Sketch | Thomas Lattard | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | 2035
Pencil on paper |
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'Stay Safe' | Yooles | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | 2020
Photograph (Washington, United States) |
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Lockdown | Pedro "Whiplash" Rodrigues | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Valič Kamer, East Wall | As this photograph from Chernarus during the 2020 pandemic shows, humankind has known many forms of conflict. Frequently described as 'a fight' against an 'invisible enemy', lockdown measures were often permeated by the language of war, indicating the latter's close connection to the human condition and its importance as a common framework of understanding. Should then, war art encompass 'wars' against poverty, crime, class and climate change? How can we define 'war'? By its dictionary definition, or by how we perceive it?
2020 Photograph (Novigrad, Chernarus) |
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VR Battlefield | Yooles | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2035
Digital Print |
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Remember the Fallen | LordOfWar | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2020
Photograph (City of Paris Cemetery, Paris, France) |
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Bad Harvest | Mark Bailey | Picture:
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2048×1024
(Picture) 1024×1024 (Label) |
Commended Entry | De Verbeek Kamer, West Wall | This interesting work underscores the terrifying potential of entomological warfare. Although insects have been used in conflict since ancient times, such methods were finally forbidden by International Humanitarian Law in 1972, under the Biological and Toxic Weapons Convention. Nevertheless, possessing the means to devastate an enemy's food supply or spread deadly pathogens through agents such as fleas or mosquitoes remains a tempting prospect for some.
2026 Digital Print |
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Accident Near a Checkpoint | Chace Smith | Picture:
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | This unusual photograph was taken from the air and provides a unique perspective. On the road below, emergency services attempt to save the lives of civilians whose vehicle overturned after fleeing a military checkpoint. It was subsequently discovered that the driver missed warning signs and failed to reduce speed, finally panicking and crashing when warning shots were fired.
2023 Photograph (Aba, Nigeria) |
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Winged Infantry | David Mustache | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_17_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_17_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
Screenshot Category Winner | De Verbeek Kamer, West Wall | The striking sense of movement in this picture is astounding. It demonstrates both obvious technical ability and a careful eye for composition. The consistent and earthly palette of pale and dark greens, present in the parachutes, uniforms, grass, and distant trees also add a stunning conformity and emphasize the idea of many individual parts working as a whole; a true artistic, combined arms operation.
2020 Oil on canvas |
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Armored Convoy | Alvando Aulia | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_53_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_53_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2029
Photograph (Bodrum, Turkey) |
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The Aftermath | Abuelo Ceboleta | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_71_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_71_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2035
Photograph (Kavala, The Republic of Altis and Stratis) |
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Translating | Professor Death | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_23_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_23_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | Small quadcopter drones have played an important role in enforcing International Humanitarian Law in recent years. In this picture, we can see an unmanned aerial vehicle (UAV) belonging to the Canton Protocol Strategic Alliance Treaty, observing the processing of prisoners. Through remote surveillance, combatants on all sides are under increasing pressure to comply with the rules of war.
2035 Photograph (Tanouka, Hoizon Islands) |
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Cultural Exchange | Descryver 'Papa Bear' Stéphane | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_61_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_61_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2033
Pencil and watercolor on paper |
|
COIN Ops | Talyn | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_99_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_99_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2034
Photograph (Near Charkia, The Republic of Altis and Stratis) |
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Little Green Men | Yooles | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_27_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_27_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | This powerful photograph, originally published in the News Today, neatly captures the changing nature of modern conflict. The old maxim that truth is the first casualty of war seems to be symptomatic of our times. Modern technology has introduced us to an age of subjective realities. But can this same technology resolve the problems it has created? Or must we rely upon our own discretion to sort facts from fiction?
2014 Photograph (Novodmitrovsk, Chernarus) |
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Ambush | Shaleshock | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_105_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_105_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2012
Photograph (Zargabad, Takistan) |
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Yemen Sunset | Victor Fievet | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_123_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_123_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2026
Photograph (Near Marib, Yemen) |
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Reassessment | Kiko Mazar | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_20_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_20_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | The sharp contrasts, post-processing effects, and angular shadows that dissect this scene perfectly echo the intensity of the chaotic situation, as experienced by the soldiers. Each combatant crouches behind cover and seemingly melds with their environment, as if swallowed by the hostile surroundings. The enemy is nowhere to be seen. However, the non-presence is a presence in itself and brilliantly communicates feelings of unease and tension. The photograph also addresses an increasing trend in modern conflict; the urbanization of the battlefield. Consequently, it seems both familiar and contemporary.
2012 Photograph (Zargabad, Takistan) |
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Survivor! | LordOfWar | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_50_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_50_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2006
Photograph (Sampur, Sri Lanka) |
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Saint Bernard | William Thomas Nuckolls | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Square\showcase_aow_picture_51_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_51_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2023
Pen, pencil, and watercolor on paper |
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The People's Militia | EO | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_90_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_90_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 1991
Photograph (Stokowsko, Livonia) |
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Dogs of Peace | Diana Pomortseva & Maria Komarova | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Portrait\showcase_aow_picture_54_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_54_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
Commended Entry | De Verbeek Kamer, East Wall | 2020
Ink and gouache on paper |
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17th Armored Division | Armaniac | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_77_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_77_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2012
Photograph (Mazargan, Karzhegistan) |
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The Road to Bastogne | Gray Knight | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_81_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_81_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, East Wall | 2019
Oil on canvas |
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Ghosts of War | Greenfist | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_18_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_18_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
Screenshot Category Winner | De Verbeek Kamer, West Wall | The human cost of war is cleverly executed in this clear but effective digital image. On close inspection, we can see that the ghostly silhouettes of the dead represent the losses of all sides and factions; spirits of fallen comrades appear to mingle with those of the enemy and all appear to be accompanying the grieving soldier in the mid-ground. The chiaroscuro effect is also ingeniously used, separating the living from the dead by way of light and shade.
2019 Oil on canvas |
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Fallen | Professor Death | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Square\showcase_aow_picture_119_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_119_ca.paa |
|
1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2032
Photograph (Awdak, Takistan) |
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Carrier Ops | Andreu Pérez Bechtold | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_46_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_46_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2035
Photograph (Tanoan Coast, Horizon Islands) |
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Watching the Perimeter | Dog | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_121_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_121_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2012
Oil on canvas |
|
Creative Storm | Nicolai Höglund | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_34_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_34_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2030
Digital print |
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Concept for Automated AA Vehicle | Maxi Cortés | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_26_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_26_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | A much neglected aspect of war art concerns the conceptualization of ideas. Although many of us would accept the 15th Century scribblings of Leonardo da Vinci's siege weapons and fighting vehicles as art, contemporary works draw more complex reactions. Could it be our appreciation of innovative designs is tempered by their destructive potential? Or are there qualities in paintings such as this, that transcend their immediate application?
2034 Digital Print |
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Remote Response | Diana Pomortseva & Maria Komarova | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_25_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_25_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
Commended Entry | De Verbeek Kamer, West Wall | In the past, logistics were a serious challenge for humanitarian organizations. But today, modern technology has helped us transcend many practical problems. From robotic pack mules, able to traverse the most inhospitable mountain ranges, to squadrons of utility drones, capable of transporting life-saving aid to populations under siege, many things have changed for the better.
2026 Ink and gouache on paper |
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Downtown Georgetown | Greenfist | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Standard\showcase_aow_picture_107_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_107_ca.paa |
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1024×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2029
Photograph (Georgetown, Horizon Islands) |
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Routine Operation | Victor Fievet | Picture:
a3\Missions_F_AoW\Data\Img\Artwork\Landscape\showcase_aow_picture_120_co.paa Label: a3\Missions_F_AoW\Data\Img\Labels\showcase_aow_label_120_ca.paa |
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2048×1024
(Picture) 1024×1024 (Label) |
- | De Verbeek Kamer, West Wall | 2032
Photograph (Central Tanoa, Horizon Islands) |
Image Layouts
The table below provides a reference for texture layouts, as a helper for correctly positioning your image in its frame, or on its canvas.
| Asset(s) | Layout Reference | Texture Selection | Suggested Resolutions |
|---|---|---|---|
|
|
0 | 1024×512
2048×1024 |
|
|
0 | 1024×1024
2048×2048 |
|
|
0 | 1024×1024
2048×2048 |
|
|
0 | 1024×512
2048×1024 |
|
|
0 | 1024×512
2048×1024 |
|
|
0 | 1024×1024
2048×2048 |